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Mendelssohn The Hebrides and Other Overtures by Professor of Music R Larry Todd

Title Mendelssohn The Hebrides and Other Overtures
Author Professor of Music R Larry Todd
Publisher Cambridge University Press
Release 1993-09-24
Category Music
Total Pages 121
ISBN 9780521407649
Language English, Spanish, and French
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Felix Mendelssohn Bartholdy by John Michael Cooper

Title Felix Mendelssohn Bartholdy
Author John Michael Cooper
Publisher Psychology Press
Release 2001
Category Biography & Autobiography
Total Pages 308
ISBN 9780815315131
Language English, Spanish, and French
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Book Summary:

This book offers an annotated reference guide to the life and works of this important German composer. It opens with a historical overview of Mendelssohn's reception by contemporary and posthumous audiences and scholars, tracing the interactions between his reception and political and cultural events. It contains a complete annotated bibliography of the literature about Mendelssohn, including biographies, reviews, scholarly articles and interpretations, and reference material. It also offers important information on the Mendelssohn family, including Fanny Hensel, Felix's sister who was also a composer and musician. Cooper's work is the most up-to-date and thorough resource for students of Mendelssohn and his times.

Notes by Music Library Association

Title Notes
Author Music Library Association
Publisher
Release 2004
Category Music
Total Pages
ISBN
Language English, Spanish, and French
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Catalogue of Books on Music by Martinus Nijhoff

Title Catalogue of Books on Music
Author Martinus Nijhoff
Publisher Springer
Release 2013-11-21
Category Music
Total Pages 42
ISBN 9401529515
Language English, Spanish, and French
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Title The Oxford Handbook of Critical Improvisation Studies Volume 2
Author George E. Lewis
Publisher Oxford University Press
Release 2016-08-22
Category Music
Total Pages 592
ISBN 0190627972
Language English, Spanish, and French
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Book Summary:

Improvisation informs a vast array of human activity, from creative practices in art, dance, music, and literature to everyday conversation and the relationships to natural and built environments that surround and sustain us. The two volumes of the Oxford Handbook of Critical Improvisation Studies gather scholarship on improvisation from an immense range of perspectives, with contributions from more than sixty scholars working in architecture, anthropology, art history, computer science, cognitive science, cultural studies, dance, economics, education, ethnomusicology, film, gender studies, history, linguistics, literary theory, musicology, neuroscience, new media, organizational science, performance studies, philosophy, popular music studies, psychology, science and technology studies, sociology, and sound art, among others.

Bulletin by Cincinnati (Ohio), Public Library

Title Bulletin
Author Cincinnati (Ohio), Public Library
Publisher
Release 1882
Category
Total Pages
ISBN
Language English, Spanish, and French
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Becoming Historical by John Edward Toews

Title Becoming Historical
Author John Edward Toews
Publisher Cambridge University Press
Release 2004-08-16
Category History
Total Pages 466
ISBN 9780521836487
Language English, Spanish, and French
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Title Perspectives on Mozart Performance
Author R. Larry Todd
Publisher Cambridge University Press
Release 2006-02-13
Category Music
Total Pages 264
ISBN 9780521024068
Language English, Spanish, and French
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Book Summary:

This book includes essays by distinguished musicologists and performers, each exploring a different aspect of Mozart's music in performance.

Title Structural Novelty and Tradition in the Early Romantic Piano Concerto
Author Stephan D. Lindeman
Publisher Pendragon Press
Release 1999
Category Music
Total Pages 348
ISBN 9781576470008
Language English, Spanish, and French
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Book Summary:

In the early nineteenth century, seven composers experimented with the design of the piano concerto at roughly the same time. Two mature figures - Johann Baptist Cramer and Carl Maria von Weber - and five young firebrands - Felix Mendelssohn, Valentin Alkan, Clara Wieck, Robert Schumann and Franz Liszt - probed the possibilities and challenged the traditions of the genre regarded as problematic, and even anachronistic by the 1830s. Lindeman considers each composer's approach to concerto form in a lucid and engaging account. He then pairs this with an analysis of their concertos, including a combination of LaRue timelines and Schenkerian techniques that is logical and insightful. A different perspective is seen in the reviews of Robert Schumann in his Neue Zeietschrift für Musik. The critic's profound dismay with the state of the noble genre is apparent in his reviews of concertos by the Parisian virtuoisi, which he regarded with particular disdain. Lindeman's overview reveals that Schumann's criticism offers a touchstone for the reformulation of the genre in the experimental works of the seven composers. Lindeman's book includes measure-by-measure timeline analyses of the first movements of over 100 concertos. Included are all those of Mozart, Cramer, Beethoven, Hummel, Weber, Field, Moscheles, Alkan, Chopin, Mendelssohn, Wieck, Schumann, and Liszt, plus examples by Sterndale Bennett, Boiëldieu, Burgmüller, Czerny, Dussek, Ries, and Steibelt. Structural Novelty and Tradition in the Early Romantic Piano Concerto offers the first detailed examination of a critical time in the development of the form. It is an indispensable reference tool for anyone interested in the piano concerto genre.

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