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* Contains a collection of up to 50 captioned pen and ink drawings, with some spectacular gatefolds of selected illustrations* Features black-and-white and full-colored sketches of the architecture of Rome accompanied by quotations from well-known authors, poets and artists* Describes the story of how the book came into being, with information about the artwork methodology* Includes a set of thumbnail illustrations of each of the artworks at the back of the book in the form of an indexThis stunning book presents the fine art work of Desmond Freeman's Rome collection, comprising more than 50 highly detailed black-and-white and full-color pen and ink sketches of the classical and contemporary architecture of Rome and its environs. Quotations from well-known authors, poets, and artists accompany these exquisite works. The preface describes the story of how this book forms part of an award-winning series in progress of five publications entitled Great European Cities - Impressions in Ink which to date includes Venice and Paris; the Rome collection is third in this successful series.

This book displays more than fifty per and ink drawing -- my impressions of Paris. These impressions have been gathered and documented since my first memorable visit to Paris in the early 1970s. --page 7.

Egypt, Greece, and Rome is regarded as one of the best general histories of the ancient world, having sold more than 80,000 copies in its first two editions. It is written for the general reader and the student coming to the subject for the first time and provides a reliable and highly accessible point of entry to the period. Beginning with the early Middle Eastern civilizations of Sumer, and continuing right through to the Islamic invasions and the birth of modern Europe after the collapse of the Roman empire, the book ranges beyond political history to cover art and architecture, philosophy, literature, society, and economy. A wide range of maps, illustrations, and photographs complements the text. This third edition has been extensively revised to appeal to the general reader with several chapters completely rewritten and a great deal of new material added, including a new selection of images.

Around the year 1400, the poet Christine de Pizan initiated a public debate in France over the literary "truth" and merit of the Roman of the Rose, perhaps the most renowned work of the French Middle Ages. She argued against what she considered to be misrepresentations of female virtue and vice in the Rose. Her bold objections aroused the support and opposition of some of the period’s most famous intellectuals, notable Jean Gerson, whose sermons on the subject are important literary documents. "The Quarrel of the Rose" is the name given by modern scholars to the collection of these and other documents, including both poetry and letters, that offer a vivid account of this important controversy. As the first dual-language version of the "Quarrel" documents, this volume will be of great interest to medievalists and an ideal addition to the Routledge Medieval Texts series. Along with translations of the actual debate epistles, the volume includes several relevant passages from the Romance of the Rose, as well as a chronology of events and ample biography of source materials.

Paul Cullen (1803–78) was the outstanding figure in Irish history between the death of Daniel O’Connell and the rise of Charles Stewart Parnell. Yet this powerful prelate remains an enigmatic figure. This new study of his career sets out to reveal the real nature of his achievements in putting his stamp so indelibly on the Irish Catholic Church. After several years spent in Rome, at a time when the papal states were under constant attack, Cullen was sent back to Ireland as Archbishop of Armagh and subsequently of Dublin. He had been charged with reorganizing the Catholic Church in his native country—a task which brought him into conflict with the authorities, many of his fellow-bishops and frequently nationalist opinion. The first Irishman to be made a cardinal, he played a leading part in securing the declaration of papal infallibility from the First Vatican Council (1870). Cardinal Cullen has not generally been well treated by historians. A brilliant scholar, whose intelligence was never underestimated by contemporaries, he has been dismissed as an ‘industrious mediocrity.’ A tough-minded, indefatigable political tactician, he has nevertheless been described as a world-denying spiritual leader. Cullen was the most devoted of papal servants, yet he was accused of ‘preferring the ... principles of Irish nationalism to the opinions of his friend Pius IX.’ Generations of Irish nationalist historians, however, have taken a different view, seeing the leading Irish churchman of the nineteenth century as a tool of the British government. In Paul Cardinal Cullen and the Shaping of Modern Irish Catholicism, Desmond Bowen shows the true purpose of Cullen’s mission. An Ultramontanist of the most uncompromising type—‘a Roman of the Romans’—neither the aspirations of the Irish nationalists nor the concerns of British governments were of primary importance to him. The mind and accomplishments of this most reserved and complex of men can be understood only in his total dedication to the mission of the papacy as he interpreted it during a time of crisis for the Catholic Church throughout Europe.

A collection of the letters of Charles Darwin portrays his personal life and the development of his scientific theories

An architectural monthly.